This Friday, August 29th, 2014. 7pm GMT – 1pm EDT
Hear Trevor Sewell’s newest album release in it’s entirety in this special encore presentation.
“Face To Face” is a beautiful acoustic compilation of Trevor’s signature style and sound an independent (and spontaneous) project record…ed at Capital Records Studio in L.A.
I personally fancy the music of just a musician & their instrument, no bells, no whistle’s. Just the pure music.
Hope y’all will be joining Barefoot Rock n Blues on Mixstream Radio on Mixposure.com
In Trevor’s words:
” “ This album is very different to my usual electric offerings as I just wanted to see what the songs were like when they were completely stripped back to just one guitar and one voice – it was completely unplanned and there was no set list. I was in Capitol Records in Hollywood to record tracks for my new electric album which will be released later in the year and the engineer set up my acoustic and a microphone and as I liked the sound through the headphones I just said ‘ Can I make an acoustic album while I’m in position’ – Joe the engineer just smiled and said ‘why not?’, so that’s what happened and less than 3 hours later the Face To Face album was in the can – we could have easily gone back and added lots of other instruments but that would have defeated the purpose so the only rules were no overdubs just one guitar, like I say there was no set list so I just played songs that happened to pop into my head at the time and Joe let me know when we had ten tracks. To sum up, although this was recorded in a studio it is in every way a Live album, so if anyone comes to my solo shows this is a good representation of what it sounds like. Capitol is a great place to record in and I managed to get started on my new electric album later that afternoon but with the bonus of an unexpected extra album already recorded, so all in all I think it was possibly one of the most productive days I’ve had in any studio – If Carlsberg made studios … thank you Capitol. ”
~ Trevor Sewell
That’s Friday August 29th @ 7pm GMT-1pm eastern
Please meet my friend and amazing musician from the UK;
Roger d Davenport.
( See footer for link to Part I )
Before concluding Part II of the interview with Trevor Sewell I want to thank Trevor again for his time he gave to us his fans in sharing for this post and for his music he brings to our lives. It enriches our lives. Please take some time and visit Trevor’s web site and also look for his new album “Independence” at the retail outlets lined below. I am fortunate to have acquired Independence and his album Calling Your Name (another personal favorite) in my own collection which adds nicely to my blues collection. I don’t think one should be without
Both Trevor and I want to thank his loyal fans for your attention. Trevor’s wishes to also welcome and thank his newest fans.
Trevor Sewell Band at The Cluny – ” 100 Years”
BM: You are a brilliant composer & storyteller. What is your process for creating your lyrics and music?
Trevor: Thank you Toni that’s very kind of you – my process changes all the time I tend to write all the time -sometimes it may be just picking up my guitar and starting to sing something – anything. I usually stick my phone on to record the rough ideas and sometimes I might even be watching TV while its happening I just open my mouth and make grunting noises while I’m experimenting with some chords – it sounds awful but if I get something that I like it sort of means something to me when I play it back. Sometimes I go into the studio and maybe stick a drum loop on and just jam – I try not to think about structure at that time or in fact anything really. The words usually just come in their most basic form at the same time. I have no idea where the words come from I have a theory that there is a little bloke inside my head with a desk and a pen and paper and he sort of just does that – I never think about them as he always delivers something that I like – very occasionally there might be a line which I think may sound like a very strong line but if it just doesn’t’ sit well with me, I throw it out but that’s pretty much the only times I disagree with the little bloke in my head.
BM: With all that you have experienced as a musician what has success come to mean for you?
Trevor: Success is just such a movable concept as the goal posts are always changing. I tend not to think about it and I definitely don’t measure it in any financial terms. I like being able to do what I like and I am generally a happy sort of person with a lovely family around me who put up with having to hear the same song blasting out of my recording studio over and over again while I’m writing stuff. I’m happier now than I have ever been musically because I just do what I like and its really great when other people seem to like it. The other major thing is that everyone from my area and on Facebook have been so incredibly supportive sharing things and generally giving me the encouragement that perhaps you don’t always get on a label who tend to be more interested in the financial side. Once you remove the money side all together it gets to be much more fun and I feel that I am more or less back in the same mindset as I was when I started at thirteen years of age with my first guitar- In other words I’m back to playing just because I want to!– I guess that is sort of a success in its self. I feel very lucky that I discovered playing music all of those years ago and that I still really like doing it today.
BM: As an award wining bluesman, performer, & recording artist, can you share some of your best tips for an aspiring artist?
Trevor: This might sound like a ‘I’ve heard all this before’ scenario but (and I had this said to me many times over the years but chose to ignore it –DOH!) – Just do something that you want to do and stop trying to please everybody – if you like it then the chances are that someone else somewhere will too – its more a question of finding like minded people and growing your own audience and in this day and age with social networks etc. its all possible – in fact that’s how I met you Toni – like I say I wish I had taken that on board a lot of years ago but I suppose I had to discover it for myself –I think hindsight would have come in very handy at times.
BM: A little gear speak, can you please tell us about your favorite guitars?
Trevor: I have a selection of guitars which I use for different purposes. I have two vintage Gibson Les Pauls a 1969 Goldtop and a 1973 re-issue. Also A contemporary series Fender Telecaster which date to 1984. The one I use the most live at the moment is an artist series Fender Stratocaster which has been very heavily modified. The body has been grouted out to make room for the electrics I imported from America which gives it midi capabilities when couple with an Axon Fast Response system. One of my other favourites is my Cigar Box which I use on songs like the Train. It was made by an English guitar maker called Chickenbone John – all of his guitars are one offs and I have a 6 string resonator made from an oil canon order from him but you can’t hurry Chicken-bone John, so I may have to wait a while yet.
Trevor: I don’t have a playlist as such as my phone is usually just on Random and it contains such a wide variety – Freddie King and Robert Johnson are both in there as are Kate Bush, Green Day Black Keys The Byrds The Clash Funkadelic Imelda May, Patto. Paloma Faith, Mumfords The Pogues Brooke Nickerson and loads of others actually way too many to mention – I’m always open to new ideas (and old ones)
Thank you once again Trevor Sewell for your always outstanding musicianship.
if you you’re in the UK Newscastle area and you get the chance go out to see Trevor and his band. Live at The Cluny, last time around catch us back at The Cluny on Friday December 27th – tickets online from www.thecluny.com or if you see me just ask 🙂
I ran across Nigel Brown’s music last year while browsing music video‘s and have become an ardent fan of his music. Lyrically he always leaves me impressed with how he puts together thoughts we might all have into song.
Adding his signature lead guitar solos and riffs to his voice is the melodic tone that creates such a sweet sound.
Please meet Nigel Brown from the UK.