It’s Here! “Come Sail With Me”

I invite you to have a listen to this collaboration with Michael Stone and myself, a love ballad, my first.

Finding a place in this second season of my life as a lyricist is a dream I never really believed would be realized. How wrong I was. Being surrounded by creative musicians, composers and songwriters has enriched my life personally and professionally in ways I am in awe of everyday.

Don’t ever give up your dreams.

 

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The new album comes out late 2018

Come Sail With Me
Music and Lyrics
Michael Stone and Toni Taylor-Helser
© 2018 BMI

 

Come sail with me on scented wind cool and clean,

Blowing wild and free, blushing moonlight hides an ash white face,

Come sail with me Diamonds of candles dimly lit,
Flames soften a quiet embrace.
All through the night, mirrored by only starlight

Come sail with me with spirits bright
Shameless dreams unfold,
Sunlight breaks to show the story told

Come sail with me gale winds churn the sea to a rage
Sea and sky as lovers, like you and I
Sail to the horizon you and I

Come sail with me set course, the soul’s desire
Powered by painted sails a horizon sunset on fire

Come sail away with me on a voyage quest of reflections
Adrift together on a wild sea
Stars guide us to cosmic connections

Come sail with me

Then comes the thunder.. complete with it’s wonderful roar
Flashes of light that dance through the night once more
Rolling thunder. sailing under dark skies,
Fly by night anchored on stormy seas together
Footloose souls, surrender,

Love soars adrift on a wild sea

Wind in our sails we are free

Ocean and sky as lovers, like you and I
Sail to the horizon you and I

Come sail with me, on scented wind cool and clean

Come sail with me

Blowing wild and free

Come Sail With Me

 

When The Torch Is Passed

I want to share this. It’s personal but the message about music written by my 17 year old grandson Trey is universally relevant . I believe we all have the responsibility to pass the torches of art and creativity on. For so many reasons. Along with feeling immense pride that he inherited the gift to write and a love for music I am beyond proud of the young man he is.

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“Blessings for the music and the moments that recall memories of a dusted past. Not too long ago, I was upset that memories of my childhood were not coming up for me and it seemed I knew little of my life away from the present, but lately little movements, sounds and thoughts have jogged my mind full of moments of the past. I’m so blessed to have lived all the beauty the world has to offered to me so far. I have so much love for myself and all who wish to flourish(So every being). May you all feel my light come through to hug and awake your in this moment.”
-With Love, Effort and Ease, Trey

 

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All rights reserved ttaylor2016

 

 

11th Annual Central Oregon(USA) Hoedown For Hunger- A Music Benefit

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The Central Oregon (USA) 11th Hoedown For Hunger will take place at Bend’s Community Center (BCC), 1036 NE 5th St, Bend, OR 97701 on Saturday, Nov. 5 beginning at 3 p.m. This event is kind of mini-festival that features local artists who donate their performances each year to help raise money for BCC’s “Feed the Hungry” project. Many of Central Oregon’s finest acoustic performers participate. This year’s event will include Central Oregon’s busiest performer Bobby Lindstrom as well as 10-year old fiddle phenomenon CJ Neary, a multiple winner at the National Old Time Fiddler’s Championships to go along with state and regional titles. The music tends towards country, bluegrass and folk, but past shows have included some blues, celtic, and soul.

In addition to the music, the Hoedown also features a chili feed with a variety of chili recipes from restaurants and caterers of Central Oregon.

Find the Songs here

 

More details to follow.

An Inquiring Musician Wants To Know: i.e Local Bands & Audiences

Steve Patterson

Musician and friend to Barefoot Music Group Steve Patterson is a gifted finger pickin’ guitarist whose own music is like a soothing salve that heals open wounds on the heart. Steve’s chops come through the spirit of who he is right down through his fingers transposing all that soulful emoting right on to his fretboard.

As a writer whose focus is often music I am fascinated with the ways other musicians think and find ways to use social media as a tool to suss out questions in the music industry, especially the Independent music scene.

So Steve asked…….

” What qualities should a local band have to keep an audience happy, in a club situation? And, what is your biggest complaint about live music in the same situation…..”

……and so they answered.

Marvin ~ Play more upbeat songs…i hate to hear nothing but slow sad ballads.

 

Lynette ~ More Mustang Sally & Free Bird……
 
Mike NAlways to loud for me.
Windell ~ Excellent question..
Robert H ~ Audience participation. We have seen a local to Grand Prairie TX band (Jurassic Rock) and they would have a group of the lovely ladies from the crowd come on stage to play tambourine, the triangle and maracas during Mustang Sally or some other song. It was lots of fun.

Ruth WI would love it if local bands would choose a club where the audience goes to listen to music and not drink all the beer on the planet. And if those local bands could play original music, it would be heaven.

 

Madalyn ~My one complaint is musicians playing so loud that you cannot hear vocalist. When it’s all instrumental cut loose. I really love nuanced pieces showcasing different instruments. 

Robert H ~And sing-along songs (John Prine – Dear Abby, etc

Gayle ~ Play different songs…Hearing the same songs week after week gets old…

 

Sue B  ~ My biggest complaint is the loudness issue; drums mic’ed in small rooms; instruments too loud for the vocals–and don’t turn the vocals up, turn the instruments *down*. I do not want to have to lean over to yell in a friend/companion’s ear to be heard or vice versa! Loud does not equal better.

Steve Patterson: ~ Could you who liked this post give feedback please…

Windell ~  I for one think the bands should be payed more, that would have a huge impact on presentation, performance, and new material…

But it’ll still be 100 bucks a gig for time immemorial.

 Charley B ~Variety.
 Steve Patterson Absolutely!!!
 
Terry GYou said a mouthful Charley!
Gerado ~ A good quality is that the band should be able to make people sing and move. When people get happy they consume more.

A big complain is when there is no connection between musicians. The audience perceives it and is not good. I’m in a band where we talk at each other just by looking at the other. And we make the craziest arrangements on the fly, when someone makes a mistake we all manage to cover and make it look like it’s part of the trip. Musicians need to have fun on stage so that the audience will have fun too.

 Amanda S ~ As a member of a touring band.. We try very hard to keep the balance of relevant music, classic favorites, and our own originals. I love a good original, but too many times you see bands playing originals that aren’t really that good, nor is it fun, ear catching, or indicative of the music the band’s style reflects. I also think it is important for a band to have a “look” one that isn’t just a group of people who randomly come together by happenstance. You don’t have to be a size 6, as s female, to be attractive on stage, nor do you have to be in a suit or khakis to be pleasing to the eye. I also try to make sure that we tell a joke or have good rapport with the other guys in the band. I like to see the banter when I am seeing another band. There should always be a show, within the show. Just my two cents, and yes venues should pay more.

Ann S ~ Your groups are the only bands i have ever went into a club to listen to and it isn’t visual, but more good music and connecting to the audience, such as making them forget they are in a club, but hanging out with friends instead. also, most club bands are underpaid, and really need the support of those enjoying their music.
Tony G ~ More crowd participation. I think it makes it more fun for everybody. The more fun(participation) the crowd has the more likelihood of coming to the shows. Biggest complaint would be repetitive shows. Same songs same set list. Granted that with a new cd, the new songs need to be played but not every one every time. AND for the record you KNOW I love local live shows
 
Toni ~ Mixing under covered tunes with originals
I wish folks who turn out for live music would listen to the music and save their chatting for another time.

Steve PYes!

 Heidi S ~  Atmosphere is key! Too many loud drunk people take away from those who really enjoy listening to the music. As long as the atmosphere/vibe is right, live music is the best form of entertainment and we have too little of it in Jackson!
 

Steve G ~ I have been playing for the public since the early 70’s and it didn’t take long to figure out that MOST people don’t care if you perform great guitar solos or if your song selection is made up from super hard songs. MOST people don’t really come for the music. They want to hear familiar songs at a reasonable volume.
All the songs that musicians hate to play.
They notice if the vocals sound good but MOST could not tell if you made a mistake or nailed it.
Being TOO loud is the biggest complaint. People want to be entertained, have interaction with the band, and be made to feel special..

Colin H ~ Sound balance between voice and instruments… put the drums behind sound shields if the venue is small and check the balance as the crowd fluctuates throughout the evening.
Toni ~ Bam! 

Todd K ~ To be sure to know the genres of music the crowd enjoys. If you play covers, I assume that would be especially important. And I think it would be equally as important if you play your own stuff

Peter D ~ VARIETY! VARIETY! VARIETY! The band member that usually does the “TALKING” etc. needs to be very interactive with the crowd but also don’t forget the other hand members…and the biggest pet peeve of mine would be….transition time between songs…lag time loses people’s interest….that’s my 2 cents worth! 😄😆😝😜😀

Angel F ~ Mix up the tempo. Play some originals but also play covers so people can hear some songs they know. Don’t talk between every song. Always use a set list. I like to dance, so dance-able songs make me happy. And my pet peeve is when the bass is mixed in too loudly. It drowns everything else out.

 

Brenda D ~  In some cases drums screens.

Tonette W ~ No more free bird…even the old tired covers were done by bands that had more than one song. Originals. No muddy vocals…ego maniacal guitar players don’t have to be the loudest. Drowned out vocals… And when you get offstage for a break..talk to folks. Make sure your genre fits the bar. And remember it’s a bar…people may listen..may get drunk..may not. And look as if you are having a good time.
Jeff S ~ Good singing trumps good playing. Great comment.
Tonette W ~ I owned three bars. Reel to reel aka fuel. Scratch monkey… Lots of great bands played at cotton bowl.
Jeff W ~ I love the real B3 and swelling of a Leslie tone cabinet live.
And a guy that can sing like Gregg Allman.

 Not to forget ,sweetest of a good Sultan of swing lead guitar sound.
Tommy C ~Guh
Jeff S ~ Play happy songs that people have heard before

 

Johnnie H ~ MORE COWBELL !!!

Lorraine R ~ When you can’t hear the person singing because of other instruments. Then of course people talking while you are playing.

 

JD Talor ~ Costumes ….would be great ….maybe each gig could have a theme… Lol

Steve P ~ We’ve tried that….lol

JD Taylor Steve Patterson lol

Dianne J ~Too loud. And that’s not my age. I hated it too loud when I was young.
Tony R ~ I surely agree

Dianne J – Tony R     I hate when you can’t even talk to people.

 Doug M ~ Easy…. A band with such a ridiculous amount of fun playing together it is contagious along with the desire to grow as music
 
 Kevin A ~ Honestly, involve the audience. Guy that wrote Delta Dawn was at the center downtown and the entire crowd sang the song with him. can’t remember his name but remember his comment how great it was to play a song that everyone knew the words to.
Jeff L ~ Absolutely . . . involvement is the key . . . be it sing-a-long, dance, cowbell, kazoo, any way you can get the audience involved . . . they’ll love it & you will too. 🤓
 
 Kevin A ~ As far as a complaint, don’t just play the “can”, Express yourself, expand the music with your own interpretations, rifts, etc...
JR Parsons ~ Just keep playing “Rawhide” and everything will be fine! :-
 
Dena S ~  I’m like the rest… if you’re enjoying yourselves, having fun playing together, and talking/involving the audience it’ll keep their attention. 🙂

Arlene TUsually the same set, maybe have different playlists or something new your working on. You can see how a live room reacts. You might get more new faces in to expand your following.

 

  Hello lovely Music Tribe ~ 

Excellent shares! Thank you so much to everyone for expanding your thoughts that became this fabulous dialogue. Loved this thread and saw great merit in the comments and posed topics as incredibly valuable sharing for the world of independent music and artists for which Barefoot Music is a steadfast advocate for.
A shout out of massive love and gratitude to musician and superb human Steve Patterson, from who this piece was inspired by

Stay Peacefully in tune ~Barefoot Music Group

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20 Worst Indie Artists Mistakes

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A guest post by Johnny Dwinell of Daredevil Production

 

1.    Your Songs Suck – Consumers will instantly click past a crappy song to thousands of online radio stations till they find a good song that really moves them in the first 10-20 seconds.  You better have GREAT songs.  It’s a CRAFT; it always has been.  Treat is as such.  You need to seek out a few mentors to teach you what they know about their CRAFT and apply your unique vision and perspective to that knowledge.  Easy to do with all the online writing societies.

 

2.    You’re Producing Yourself – Have you ever wondered why a record label would NEVER let you or your friends produce your own record?  Have you ever wondered why most of the iconic Superstars STILL use producers?  Why aren’t they saving money by producing themselves?  Surely a producer at that level is pretty damn expensive!  Get it?  Just because you can work Pro-Tools or Logic doesn’t mean you can or should make a record.  The label would put you with someone who is not only experienced at the entire process of making records, but a way better musician than you.  The smart artist always thrives being around true pros that are better than them to soak in the education and grow to a new artistic level; fearless of the journey.  Most artists will tell people why they can’t or won’t afford a producer and spend their money on their 25th guitar and new plug-ins for the home studio; avoiding the journey.  Do you want to make great records or collect gear?

 

3.    You’re Not Marketing…At ALL – Putting your music on iTunes, Spotify, CD Baby, ReverbNation, etc. is digital distribution NOT marketing.  Marketing is the art of influencing buying decisions.  Having your CD available for purchase “wherever it’s sold” isn’t influencing buying decisions.  Twitter, Vine, Instagram, Facebook, YouTube, Live Shows, Music Blogs, Indie Radio, Internet Radio, and PR are the marketing tools you need to master.  These tools create awareness and drive traffic to your squeeze page where you get the consumer’s email address.  It’s through their email that you will influence their buying decisions.

 

4.    You’re Operating With An Out-Of-Date Business Model- You are still trying to cut cheap demos to shop to a record label to try to get a deal.  You still think radio is the key to marketing your music.  You still think that radio will be a powerful marketing tool when you do get your deal.  You still think the labels make money selling records.  You still think that if you get a deal that’s when you’ve made it.  Wake up, that ship sailed a decade ago; you have to develop yourself, today.

 

5.    You’re Not Thinking Like A Record Label – If you got signed today, the label would surround you with people that make a living writing songs, engineering, producing, doing public relations, marketing, promotion, booking bands, image consulting, Photographing, etc.  All these people would be highly professional and much more dialed in to the market and process than you and your friends.  If you’re thinking like a label, you are looking for a team of people to help you with at least some of these important items.

 

6.    You’re Not Selling Your Music On Your Website – .  If you were truly DRIVING traffic anywhere to purchase your music, you would drive them to YOUR site and take all the money.  Everyone needs a presence on iTunes, CD Baby, Reverbnation, etc., but why on earth would u pay someone 30% of your record sales to do what you can do with a free plug in on your WordPress site?  If it don’t make dollars, it don’t make sense.

 

7.    You’re Not Posting Regular Videos To YouTube – YouTube is your new Radio with an amazing potential for reaching millions, no wait…now BILLIONS of people and you don’t need to spend 1 million dollars to bribe a freaking Program Director for a CHANCE at getting a few spins.  The “shelf space” is unlimited (Unlike radio) and they pay royalties and advertising revenue.  “I don’t get it because I just want to make music” is a cop out.  why aren’t you learning everything you need to learn about this amazing opportunity?

 

8.    You Suck At Project Management – If Steve Jobs approached the first products from Apple the way most of you approach managing your musical projects he would have died homeless.  Jobs was a true artist, the first computers he and Wozniak made looked good, worked good, were packaged well, and were made in his garage.  Instead of making 500 crappy computers with the limited budget they had, he made 50 AWESOME computers and the market place responded; the opportunities that came from the first run of AWESOME computers provided the momentum they needed to reach the next level.  If you want to find someone to cut your songs for $300/song, I PROMISE you will find them.  Record your 3 BEST songs for the same price as what you have to spend on 12 and do it RIGHT with a TALENTED TEAM.  It’s gonna cost money, so think of it as an education.   Then watch the market respond!

 

9.    You’re Waiting For Your “Big Break” – Deep down you wish it was the old music business because, on the outside (from the cheap seats) it seemed easier when the labels took care of everything.  Well they did and you would have paid dearly for that “EZ Button”.  I got news for you, the Superstar Artists that are still around today, never let the labels take care of everything.  They worked smarter and harder than that in a sea of sharks.  You have to create your own opportunities, your own momentum.  There’s no way around it.  Nobody gets “discovered” anymore so get off the couch, put the bong down next to your baggage and get to work!

 

10. You Still Think Record Labels Develop Talent – Record labels don’t develop talent like Coca-Cola doesn’t repair cars; they don’t care about your music, they care about your current cash flow, and how many fans you have a measurable connection with.  They care about what kind of market you created for yourself and if they can make money by adding fuel to the fire you already started.  Think YouTube and Google.  Google didn’t develop YouTube, they purchased them.  So those smart guys at YouTube had to PROVE their idea had value in the market place; so do you.

 

11. You Don’t Think Of Your Music As Product – Until you do, nobody is going to hear your art.

 

12. You’re Self Sabotaging – This is the most common and most destructive mistake of them all.  Let me save you the suspense, you’re gonna make mistakes.  You’re gonna hit speed bumps.  You’re gonna be rejected.  You’re gonna have to get over it!  You have to get out of your own way and just move forward.  Stop making excuses.  If you keep doing what you’ve always done, you’ll keep getting what you’ve always got.  PERIOD.  So make a change and watch massive amounts of energy quickly flow your way.

 

13. You Are Too Sensitive To Take Constructive Criticism – You would be amazed how many of your favorite Superstars were brutally schooled by the label on their first record.  They were green just like you!  “Go back and write us a single we can promote on the radio or we’re gonna drop you”.  If you’re too dumb to know that you don’t know, you’ll never make it.  Be professional and LEARN.  It’s always better to stay quiet in a room and appear stupid than to open your mouth and remove all doubt.

 

14. You’re Listening To Haters – When you do start to get momentum, people you don’t know and sadly, many that you do will spit poison into every part of your life.  Get used to it.  You are doing what they can’t.

 

15. You Haven’t Defined Your Lane – You are afraid to pick a genre because you write in many.  Consumers need ONE lane to connect with you in.  Just because you pick one doesn’t mean you are ignoring the others.  Get some traction in 1 lane first, that will help expose a project in a different lane to more people.  Think John Mayer with his first few pop records and then he did a blues project.  That blues project got a TON of exposure because he was now John Mayer the pop star.

 

16. You’re Live Performance Sucks – Nothing is more disappointing than seeing a decent band with great songs and nobody sings background vocals; except for a crappy band with crappy songs, and everyone singing background vocals.

 

17. You’re Not Capitalizing On Your Live Performances – Today’s music market is about endless content and email addresses.  You should have constant video footage to market on social media.  You should have boatloads of email addresses after every show.  You should be moving product from the stage at every show.  You should be gaining twitter followers at every show…THEN you can get laid.  J

 

18. You’re Putting Too Much Stock Into Your ReverbNation Ranking – A #1 ranking for your small town or big city on ReverbNation + $2.54 will get you a cup of coffee at Starbucks.  How are you getting paid for your songs?

 

19. You Don’t Know What You’re Doing On Twitter – Twitter is a simply amazing surgical marketing tool that allows you to SERIOUSLY target your specific market.  When done correctly, your following will constantly grow.  1 year from now you could have well over 10k followers and now you have the means to drive tons of traffic to a squeeze page, or a YouTube video, or to….Get my point?  Your fans are out there, go find them.

 

20. You Think It’s All About Music, Not Marketing – The truth is that it sure is nice when they expertly market a killer record, but if it was only about the music, there wouldn’t be any crappy songs on the radio.  Think about that for a second.  Without marketing, nobody cares about your music because they haven’t heard it.

Original Article 

 

 

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Christmas Blues with Mistletoe Blues by Queenie McCarter

Queenie McCarter w/ The Blue Cats on bass and guitar for a live recording of Mistletoe Blues, an original tune about the aftermath of not meeting that special someone under the mistletoe.

 

Click link below.

http://0dayhotmusic.com/queenie-mccarter/mistletoe-blues-live-recording

Thank you to DJ Doug Dickens & mixposure radio for leading the way to Queenie’s wonderful blues tune.

Follow the tunes of all independent artist’s every evening of the week at www.mixposure.com/radio