Bobby Lindstrom’s Hefferdust Blues (sneak peeking to upcoming new album)

Please allow BMG to introduce you to Bobby Lindstrom Hefferdust Blues.

Bobby is a Oregon home-grown guy originally born and raised in Coos Bay Oregon, now residing with his wife and guitars in Bend Oregon (if you haven’t yet been introduced to his Hefferdust Blues)  As this post is being typed Bobby is currently in a Nashville studio laying down tracks for his new Cd – all original material.

The following video performance is one inspired by a trip to New Orleans last fall with his bride Sharon, Bobby not only memorialized a significant trip to the Big Easy but he (as is his style) shares an important universal message through song.

* Note: ft Ed The Whistler accompanying Bobby.

 

Bobby Lindstrom – Vocals, Guitar, Songwriter

Genres: Singer Songwriter Blues / Rock

Label: Hefferdust Music Co.

Born in a small timber town on the Oregon Coast, Bobby’s passion for music began at Christmas at age 10 with his first guitar. Many bands and guitars later he connected with his treasured 1968 Les Paul in 1970. Now named “Bessie Mae” (named by Little Milton’s long-time road mgr, Scrap Iron, while on the Blues Cruise Oct 2010) She has been his constant companion for 4 decades, bearing witness to this passion which has taken him across the USA sharing his gift.

His friends and fans know the intensity and love of music that he exudes while performing, which is truly justified watching any one of his animated live shows. His songwriting has exploded recently, with 4 cd’s released since 2010, 3 of which are all original songs, some of his best work yet, and one a cover of his old blues favorites with some amazing musicians backing him up.

“He is a high energy, blues influenced rock ‘n roller at the top of his game.” His full soul is fast becoming known and welcomed as “one of the most prolific singer/songwriters in America.”

Bobby’s long road to success has been well worth the journey. He just seems to always have a good time. At home in Central Oregon Bobby embraces the opportunity to play with some of the best musicians this side of the Mississippi every chance he gets and it’s always a wonderful surprise to discover who might be joining him on stage. With the same love of music and perseverance he has always embodied Bobby continues to promise and deliver all great things still to come.

Paying his dues after performing for years all over the Northwest and meeting people from all over the world Breedlove Guitars added Bobby as a Breedlove endorsed Bluesman when they handing him a 5k acoustic beauty he lovingly named “Belle.” A finely crafted instrument, the tones and sounds it makes magically complement Bobby’s voice. It was given to him by the company to perform to the masses, carry the music, and do a little advertising for them, which he proudly does with every performance.

“Belle” Bobby’s beloved Breedlove

Whether a solo or duo show; with funny stories, soulful ballads, rocking the blues…or with his band which includes some of the best talent anywhere, you can catch him performing at many popular venues and clubs. Bobby Lindstrom receives rave reviews from fellow musicians and critics alike. Available for private house parties, weddings, family reunions, celebrations of all kinds. You will not be disappointed by hiring Bobby Lindstrom!

For bookings; contact Hefferdust Music, 541-610-2007 or email @ lindstrom@bobbylindstrom.com

 For more examples of Bobby’s music and more information:here

For information about Oregon’s renown luthiers at Breedlove Guitars  here

 

Watch this 2016 Fall for his new album to drop.

 

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Barefoot Music Group 2016

 

20 Worst Indie Artists Mistakes

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A guest post by Johnny Dwinell of Daredevil Production

 

1.    Your Songs Suck – Consumers will instantly click past a crappy song to thousands of online radio stations till they find a good song that really moves them in the first 10-20 seconds.  You better have GREAT songs.  It’s a CRAFT; it always has been.  Treat is as such.  You need to seek out a few mentors to teach you what they know about their CRAFT and apply your unique vision and perspective to that knowledge.  Easy to do with all the online writing societies.

 

2.    You’re Producing Yourself – Have you ever wondered why a record label would NEVER let you or your friends produce your own record?  Have you ever wondered why most of the iconic Superstars STILL use producers?  Why aren’t they saving money by producing themselves?  Surely a producer at that level is pretty damn expensive!  Get it?  Just because you can work Pro-Tools or Logic doesn’t mean you can or should make a record.  The label would put you with someone who is not only experienced at the entire process of making records, but a way better musician than you.  The smart artist always thrives being around true pros that are better than them to soak in the education and grow to a new artistic level; fearless of the journey.  Most artists will tell people why they can’t or won’t afford a producer and spend their money on their 25th guitar and new plug-ins for the home studio; avoiding the journey.  Do you want to make great records or collect gear?

 

3.    You’re Not Marketing…At ALL – Putting your music on iTunes, Spotify, CD Baby, ReverbNation, etc. is digital distribution NOT marketing.  Marketing is the art of influencing buying decisions.  Having your CD available for purchase “wherever it’s sold” isn’t influencing buying decisions.  Twitter, Vine, Instagram, Facebook, YouTube, Live Shows, Music Blogs, Indie Radio, Internet Radio, and PR are the marketing tools you need to master.  These tools create awareness and drive traffic to your squeeze page where you get the consumer’s email address.  It’s through their email that you will influence their buying decisions.

 

4.    You’re Operating With An Out-Of-Date Business Model- You are still trying to cut cheap demos to shop to a record label to try to get a deal.  You still think radio is the key to marketing your music.  You still think that radio will be a powerful marketing tool when you do get your deal.  You still think the labels make money selling records.  You still think that if you get a deal that’s when you’ve made it.  Wake up, that ship sailed a decade ago; you have to develop yourself, today.

 

5.    You’re Not Thinking Like A Record Label – If you got signed today, the label would surround you with people that make a living writing songs, engineering, producing, doing public relations, marketing, promotion, booking bands, image consulting, Photographing, etc.  All these people would be highly professional and much more dialed in to the market and process than you and your friends.  If you’re thinking like a label, you are looking for a team of people to help you with at least some of these important items.

 

6.    You’re Not Selling Your Music On Your Website – .  If you were truly DRIVING traffic anywhere to purchase your music, you would drive them to YOUR site and take all the money.  Everyone needs a presence on iTunes, CD Baby, Reverbnation, etc., but why on earth would u pay someone 30% of your record sales to do what you can do with a free plug in on your WordPress site?  If it don’t make dollars, it don’t make sense.

 

7.    You’re Not Posting Regular Videos To YouTube – YouTube is your new Radio with an amazing potential for reaching millions, no wait…now BILLIONS of people and you don’t need to spend 1 million dollars to bribe a freaking Program Director for a CHANCE at getting a few spins.  The “shelf space” is unlimited (Unlike radio) and they pay royalties and advertising revenue.  “I don’t get it because I just want to make music” is a cop out.  why aren’t you learning everything you need to learn about this amazing opportunity?

 

8.    You Suck At Project Management – If Steve Jobs approached the first products from Apple the way most of you approach managing your musical projects he would have died homeless.  Jobs was a true artist, the first computers he and Wozniak made looked good, worked good, were packaged well, and were made in his garage.  Instead of making 500 crappy computers with the limited budget they had, he made 50 AWESOME computers and the market place responded; the opportunities that came from the first run of AWESOME computers provided the momentum they needed to reach the next level.  If you want to find someone to cut your songs for $300/song, I PROMISE you will find them.  Record your 3 BEST songs for the same price as what you have to spend on 12 and do it RIGHT with a TALENTED TEAM.  It’s gonna cost money, so think of it as an education.   Then watch the market respond!

 

9.    You’re Waiting For Your “Big Break” – Deep down you wish it was the old music business because, on the outside (from the cheap seats) it seemed easier when the labels took care of everything.  Well they did and you would have paid dearly for that “EZ Button”.  I got news for you, the Superstar Artists that are still around today, never let the labels take care of everything.  They worked smarter and harder than that in a sea of sharks.  You have to create your own opportunities, your own momentum.  There’s no way around it.  Nobody gets “discovered” anymore so get off the couch, put the bong down next to your baggage and get to work!

 

10. You Still Think Record Labels Develop Talent – Record labels don’t develop talent like Coca-Cola doesn’t repair cars; they don’t care about your music, they care about your current cash flow, and how many fans you have a measurable connection with.  They care about what kind of market you created for yourself and if they can make money by adding fuel to the fire you already started.  Think YouTube and Google.  Google didn’t develop YouTube, they purchased them.  So those smart guys at YouTube had to PROVE their idea had value in the market place; so do you.

 

11. You Don’t Think Of Your Music As Product – Until you do, nobody is going to hear your art.

 

12. You’re Self Sabotaging – This is the most common and most destructive mistake of them all.  Let me save you the suspense, you’re gonna make mistakes.  You’re gonna hit speed bumps.  You’re gonna be rejected.  You’re gonna have to get over it!  You have to get out of your own way and just move forward.  Stop making excuses.  If you keep doing what you’ve always done, you’ll keep getting what you’ve always got.  PERIOD.  So make a change and watch massive amounts of energy quickly flow your way.

 

13. You Are Too Sensitive To Take Constructive Criticism – You would be amazed how many of your favorite Superstars were brutally schooled by the label on their first record.  They were green just like you!  “Go back and write us a single we can promote on the radio or we’re gonna drop you”.  If you’re too dumb to know that you don’t know, you’ll never make it.  Be professional and LEARN.  It’s always better to stay quiet in a room and appear stupid than to open your mouth and remove all doubt.

 

14. You’re Listening To Haters – When you do start to get momentum, people you don’t know and sadly, many that you do will spit poison into every part of your life.  Get used to it.  You are doing what they can’t.

 

15. You Haven’t Defined Your Lane – You are afraid to pick a genre because you write in many.  Consumers need ONE lane to connect with you in.  Just because you pick one doesn’t mean you are ignoring the others.  Get some traction in 1 lane first, that will help expose a project in a different lane to more people.  Think John Mayer with his first few pop records and then he did a blues project.  That blues project got a TON of exposure because he was now John Mayer the pop star.

 

16. You’re Live Performance Sucks – Nothing is more disappointing than seeing a decent band with great songs and nobody sings background vocals; except for a crappy band with crappy songs, and everyone singing background vocals.

 

17. You’re Not Capitalizing On Your Live Performances – Today’s music market is about endless content and email addresses.  You should have constant video footage to market on social media.  You should have boatloads of email addresses after every show.  You should be moving product from the stage at every show.  You should be gaining twitter followers at every show…THEN you can get laid.  J

 

18. You’re Putting Too Much Stock Into Your ReverbNation Ranking – A #1 ranking for your small town or big city on ReverbNation + $2.54 will get you a cup of coffee at Starbucks.  How are you getting paid for your songs?

 

19. You Don’t Know What You’re Doing On Twitter – Twitter is a simply amazing surgical marketing tool that allows you to SERIOUSLY target your specific market.  When done correctly, your following will constantly grow.  1 year from now you could have well over 10k followers and now you have the means to drive tons of traffic to a squeeze page, or a YouTube video, or to….Get my point?  Your fans are out there, go find them.

 

20. You Think It’s All About Music, Not Marketing – The truth is that it sure is nice when they expertly market a killer record, but if it was only about the music, there wouldn’t be any crappy songs on the radio.  Think about that for a second.  Without marketing, nobody cares about your music because they haven’t heard it.

Original Article 

 

 

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A *BMG Review ~ Steve Pullara’s Cd ” Butterflies Wear Sneakers”

(*Barefoot Music Group)

From the moment I opened Steve Pullara’s new Cd “Butterflies Wear Sneakers” I knew that the family friendly compilation of music that Steve had promised on this CD he was delivering. Even before I heard one note, or even one word, I fell in love with the CD’s artwork/photography by Cher Baldanza.

Then ONE listen through and immediately I knew that If someone were looking to begin or add to the music library of a special loved one this album “Butterflies Wear Sneakers.”  is one I will highly recommend

Doesn’t the title of the album alone make you smile?

steve bramers album art

“Butterflies Wear Sneakers” is a perfect title for this newest work from folk singer Steve Pullara who brings his own signature style and sound from his home state of Pennsylvania to the world. Of the eleven tracks on the new CD only one is a cover tune. (A wisely phrased choice as it’s a Stevie Wonder tune.) The other ten are all Steve Pullara originals. It’s an album of universal language that Steve sings. Love.

With Steve’s band members The Red Eared Sliderz-  Patrick Robinson, Brian Nagy, Dan McCormick, Valerie Vuolo and Alfred James Goodrich they bring a rich variety of Folk, Americana and Country music that will captivate the entire family. There is a sweet wholesome in the storytelling Steve weaves through song. 

From the opening track “The More Teeth Missin’ The Better For Kissin”” and throughout I became enchanted by the touching wordsmithing and the richly organic sounds of the instrument arrangements. This is “Feel Good” music and I would love to see it in our local libraries, especially in the children’s library. The album is a perfect collection of family friendly music and storytelling that very quickly if you’re like me will have your whole family singing along.

We as a universal music community of arts are sorely void of fantastic music that is family friendly and I continually find Steve’s music ‘hook’ to be that he is tapping into an audience that needs stellar musicians and lyricists like Steve. An artist needs a good hook more than ever today to set them apart which is no doubt one of the reasons Steve Pullara is a Grammy Award winning artist. I think we as a universe need role models in artists who share messages of love, optimism, and hope. There’s a beautiful wholesomeness and nostalgia to what Steve brings to our ears, and to our emotional and spiritual intelligence that I find endearing.

As a lyricist Steve’s stories are beautiful reminders of all the goodness we should hold strong. Instrumentally this band is top-notch on all levels, and this reviewer is a fan of the deeply Americana sounds from the Dobro, violin and banjo.

Please visit Steve’s *website and enjoy a preview Steve’s newest “Butterflies Wear Sneakers.” This album makes an excellent gift for an entire gift list, even the artwork on the actual Cd is itself is a gift when first opened…..then just sit back and let the opening introduction of the first track begin your listen…. I promise you’ll be delighted by all the smiling faces listening with you.

I’m still smiling.

http://www.stevepullara.com/#!blank/c1sy3

The album is also available at cdbaby.com, amazon.com, and ITunes.

Support Your Local Artist Today!

Producers: Steve Pullara – Patrick Robinson  – Alfred James Goodrich

Mastering – James Cravero  East Coast Recording Company

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BarefootMusicGroup2015

“Naked Glory” by The Sign ( A Barefoot Review)

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Australia’s own Tassie’s Jo Stevens & Paul Volta who are ” The Sign” are a duet band not to be missed, regardless of the genre you might have a preference for; because The Sign draws influences from across the genre board. All are expressed in the rich infusion that creates their original style and sound.

 

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Their album “Naked Glory” which they soft released when they were touring is currently building up massive steam with much radio air play, including on the Barefoot Rock n Blues shows- I am proud to announce the world-wide radio debut of the entire album on March 28th @ 8 pm eastern (USA) and March 29th @ 11 am (Tasmania) on Mixstream Radio (*see links below)

The self proclaimed Recycled Teenagers from Tasmania Australia are unique in their style, sound, and delivery. If The Beatles and Led Zeppelin had been a fusion group, and from Australia, you would be close to the music that The Sign brings the Universe. But make no mistake, The Sign has a signature sound & style all their own. I’m a major fan, and love their style of using slide guitar as almost a call and response technique as part of their lyrical melody lines.

From the introducing track “In Your Own World “Jo & Paul set the rocking tone for the album. Naked Glory is filled with an awesome Beatle-esque harmony style which is most apparent to this listener in “You Can’t Do That” and doesn’t disappoint with any of the 12 tracks.
“Straw of Gold” brings the album all together as it’s closing track.

Jo and her 12-string guitar, vocals, and writing style is perfectly complimented by her partner in crime Paul on his 6-string and back-up vocals, as I am writing these words to “One of These Days’ I can’t stop dancing in my chair!

Curious now?

Great!

Join me on Barefoot Rock n Blues (*info below) for the exclusive debut of the album and hear why Naked Glory is being spun & and an often topic of discussion and sharing between DJ’s and music listeners from around the world.

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NAKED GLORY by The Sign

http://www.cdbaby.com/cd/sign3

www.thesign.com

*Hear the exclusive world-wide radio debut of Naked Glory in it’s entirety on Barefoot Rock n Blues on Mistream Radio @ www.miposure.com

*USA Sunday March 28, 2015 @ 8pm eastern

*Tasmania Australia Monday March 29th @ 11am

Please join Jo & I in the chat room during the show @ www.miposure.com/mix_radio

From The Sign ~  ” Thank you Toni ..this is wonderful and we will have a surprise for those who are listening as well …I am so looking forward to it ..See teehee, hear you then xx” ~ Jo Stephens-Volte

copyright_editBarefoot Music Group 2015

Bill Madison’s “Sweet Jelly” (a Barefoot Review)

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bills sweet jelly track list

 

This Barefoot music listener and fan of Bill Madison received a message from Bill a couple of months back that put a smile on my face.  Bill said he had woke one morning with his song “Barefootin’ Boogie” in his head. Recording it and including it in his message saying he thought of Yours Truly. Soon this became the intro track to his new CD “Sweet Jelly”.

From this intro track and throughout the album’s collection of tunes Bill keeps your bare feet doing a definite boogie with his rich acoustic guitar accompaniment, and his distinctive vocal quality full of natural expressions.

Bill is the first artist I experienced with Online Busking on his Saturday shows on www.streetjelly.com, happily so, as I quite like Bill’s style and sound. His latest album/Cd is a 13 track collection from his Street Jelly shows. I find the natural feel of this album as easy and comfortable to listen to as it is to experience his shows online. It is a venue made for an artist like Bill Madison, and I am delighted that his was my first experience with concerts in this format.

This collection begins with his original tune Barefootin’ Boogie that absolutely sets the tone of ambiance for the listener. Bill takes us through a journey of classic cover tunes that will have you feeling you have been time warped in the most of nostalgic ways.  Bill has an easy flow to his vocal tone that he compliments so nicely with his acoustic guitar which creates a rich full sound as a soloist.

From his inspiring epic “All Along The Watch Tower”, to the romance of Eric Clapton’s ?Wonderful Tonight”, to the closing track “Forever Young” this album will certainly inspire memories from days gone by as well as inspire new memory making today.

Get yours inspired today.

bill madison

https://madisonmusicblog.wordpress.com/

http://www.billmadisonmusic.com/

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BarefootMusicGroup2015

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Bill Madison’s ” Old Fivers And Dimers ( a Barefoot review)

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Traditional Folk/Americana music needs to be kept alive, and Bill Madison is doing just that with his latest release of “Old Fivers And Dimers”.

Rich in history of his chosen tracks he combines also some of his own original work, creating a master of storytelling entertainment contained in one Cd.
Bill’s seasoned and laid back style lets the listener cozy into approximately 50 minutes of nostalgia that whether shared with another, or in solitude, it will leave you recalling times of yesteryears.
The title track “Old Fives and Dimers” will get your toes tapping and with its lyrics bring us all a reminder of ho we are.
Bill’s acoustic guitar the perfect accompaniment to his rich timbre vocals.
There’s always a certain sense of romance in a collection of cover tunes and Bill doesn’t disappoint, even making the old blues standard “House Of The Rising Sun” his own; including this writer’s favorite Rodney Crowell’s Shame On The Moon.
 Bill’s originals don’t disappoint the romantic at heard either, with his two co-written songs with his wife Nancy Madison: “Can’t Stay Away” and “Friends In Love” the listener will be left with a wonderful sense of nostalgia…. and even hope.
Review by Toni Taylor-Helser
Barefoot Music Group
Please check out Bill’s artist page at Reverbnation.com for his collection of music. Included here is one track “Friends In Love” written by Bill & his wife Nancy Madison.
Interested in having Barefoot Music Group review your music please contact me at barefootmusicgroup@outlook.com

On-Line Busking ~ Supporting Live Music

 
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On-line Busking & House Concerts 

 
Music and how it’s being created, performed, and even recorded is evolving all the time in new platforms in which an audience of fans hears and experiences music today. 

How independent radio is helping even the playing field in the music industry is a strong indicator of the changes, especially for Independent musicians. 
The evolution in the music industry is fascinating and recently I have been following the ongoing debate about artist’s compensation. 
Whether it be from music accessed via the old-fashioned ( and hopefully not extinct) CD/Record store, digitally through the Internet, or live performances, it’s obvious that most artist’ are still not being compensated righteously.
Music sites routinely offer up incentives for their music contributors, listener’s are measured, yet typically most music sites have no further interest past how many hits/views an artist page receives. 
Many of these sites offer free artist’s pages and a platform to charge for downloads of their music, but unless the artist has a strong and wide fan base they make little from their music sales. 
Live performances still are how artists create the kind of exposure that sells their music.
The marketing savvy band/artist knows that building a demand for their live performances is what creates the exposure they need to sell their music and merchandise. . 
But even setting a fair price for performance compensation is difficult,  and all the while there’s the risk that ALL of an artist’s music is being made available for free. 

It’s obvious that the mainstream music industry in general have consistently failed to respond to what the artist’s needs to make an adequate living, what the listener wants, and what the current realities to cyberspace and music are.

Admittedly there is no shortage of great music and access to it today, and for both the music maker’s and the listener’s it’s become  a matter of choices. With little surprise live music performances (despite the quality of recorded music) is still the popular choice for fans to hear and see their favorite artists/bands. 
 
 
Everyone wants to be heard. Everyone wants to hear.
Making that happen is easier today than ever.
 
On-line Busking, aka Net-Busking is fast becoming one of the platforms to see a favorite artist’s live gig, and in the privacy of your own home. Much like the pay-per view sporting events that family & friends get together for, so are people “Busking” music. 
“Busking” is a common term for the act of performing in a public area for voluntary donations of change.
 
I just experienced my first On-line Busking performance The artist I watched streaming his music live was doing so for free on the Internet, on a site set up for this kind of platform, and there is a way to tip the artist available on this particular site. I’m not naming the site only because I am not advertising the site, but if you search you’ll find a few links.
Instead I am hoping to engage a discussion here about this particular platform. From a personal perspective as a music fan I see great potential that this is a phenomenal way to support Independent Live Music,  and to hear and see live performances
 
An artist/band needs only a web-cam & microphone, their music, and they can be live streaming or pod-casting right into our homes. 
 
On-line Busking into House Concerts can get create more visibility to build a wider fan base. Performances for those who live outside the main tour hubs would have the option of live performances that the artist’s offer, while this concept of performing for fans allows the artist’s and fan’s to create a meaningful connection and making life-long fans. I see even the potential for fan’s to really have th power of the people right at their finger tips in deciding which songs will became chart toppers.

Along with the benefit of exposure for the artists there is this idea of the Virtual “TipHat ” (Tip Jar) so that listener’s may actually tip the performers who are busking online. That’s the other half to Busking -“Tips”
Sites that specialize in On line Busking have the ability for fans to tip in place. I am a fan of this concept ands aw it in action today.
I read a really good article that spells this concept out better than I. http://futureofmusic.org/article/virtual-tip-jar-or-charity-case
Making a living as an artist has never been easy, the largest percentage of artist’s in the business are performing their music out of a passion & devotion, making the cliché “Starving Artist” more true than we’d like to see. 
 
I’m beginning to see the real advantages to On-line Busking. 
What’s your thoughts? 

 

©ttaylor2014

Barefoot Rock n Blues Encore w/ Trevor Sewell

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This Friday, August 29th, 2014. 7pm GMT – 1pm EDT
Hear Trevor Sewell’s newest album release in it’s entirety in this special encore presentation.
“Face To Face” is a beautiful acoustic compilation of Trevor’s signature style and sound an independent (and spontaneous) project recorded at Capital Records Studio in L.A.
I personally fancy the music of just a musician & their instrument, no bells, no whistle’s. Just the pure music.
Hope y’all will be joining Barefoot Rock n Blues on Mixstream Radio on Mixposure.com

http://www.mixposure.com/mix_radio/

 

In Trevor’s words:

This album is very different to my usual electric offerings as I just wanted to see what the songs were like when they were completely stripped back to just one guitar and one voice – it was completely unplanned and there was no set list. I was in Capitol Records in Hollywood to record tracks for my new electric album which will be released later in the year and the engineer set up my acoustic and a microphone and as I liked the sound through the headphones I just said ‘ Can I make an acoustic album while I’m in position’ – Joe the engineer just smiled and said ‘why not?’, so that’s what happened and less than 3 hours later the Face To Face album was in the can – we could have easily gone back and added lots of other instruments but that would have defeated the purpose so the only rules were no overdubs just one guitar, like I say there was no set list so I just played songs that happened to pop into my head at the time and Joe let me know when we had ten tracks. To sum up, although this was recorded in a studio it is in every way a Live album, so if anyone comes to my solo shows this is a good representation of what it sounds like. Capitol is a great place to record in and I managed to get started on my new electric album later that afternoon but with the bonus of an unexpected extra album already recorded, so all in all I think it was possibly one of the most productive days I’ve had in any studio – If Carlsberg made studios … thank you Capitol. ”  

~ Trevor Sewell  

That’s Friday August 29th @ 7pm GMT-1pm eastern

where: http://www.mixposure.com/mix_radio/

Exclusive Premier for Independent Musician Marco Akamawa

Barefoot Rock n Blues & Mixstream Radio 
Proudly Presents:
 Marco Akamawa 
 Barefoot Rock N Blues has the great honor of being the messenger to bring you Marco’s Moonlight & Autumn Blues, two brand new releases. – August 10th @ 8 pm eastern at Mixstream Radio. (www.mixposure.com). 
 

Marco Akamawa is an enthusiastic developer of dreams, as well as author, songwriter, singer, talent-developer, & wanna-be producer. A fervent “re-and up-cycler” of himself; and other old goodies. Marco is also a painter, graphic artist, web-developer, shoe designer, and above all a hopeless violin player.
An endearing and admirable trait about Marco  is he tries to speak as many languages as possible just for the sake of communicating and is currently living in the Netherlands.

The considerable amounts of money Marco Akamawa doesn’t earn at all, alongside with his considerable energy he spends on the ‘Dutch ‘Met Afval Wat Anders’ Project’ inspiring and assisting people to get their life back on track. Marco is especially inspired by and works with ‘Friends for Friends’; an organization that brings you, artists, and charities together worldwide for the benefit of children in need,

Not to keep his creative nature in a box Marco is also authoring a biographic novel called ‘Bats & Butterflies’ as well as recording a new music album.

The two tracks being showcased are prime examples of Marco’s considerable talents.

Marco shared some details behind these two brand new singles. Be one of the first to hear Marco’s two new tracks.

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Words from Marco ~

“Moonlight’ is the first song I (ever) wrote, as a present to myself for my 50th birthday, in July 2013. and haven’t stopped writing songs since … keeps me healthy and off the street! A year later I invited the great German lead guitarist Jogi Vetter to improvise a solo for ‘Moonlight. Jogi listened, a few seconds later he sort of shook his sleeve, and wham-bam Moonlight’ had her solo,”

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‘Autumn Blues’ is the first blues-song I ever wrote, October 2013 when feeling a bit, well, bluesy and locked up in tiny rainy little Holland.

My thoughts at the time were this:

‘remnants of the raw===
song of yesterday==
still linger in my head

so i pick a new straw
to make ‘m go away
with another song instead’

 

Marco & I both hope you’ll tune in August 10th at 8pm eastern. www.mixosure.com  

Give yourself the gift of experiencing Marco’s music and then sharing about this artist. Go back to work, social media, friends and family with excellent music to share that you’ll were one of the first ever to hear.